Mamma Agata! Ach! Viva la Mamma!
Dziennik Teatralny
November 26 2019
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She excels in belcanto coloratura roles, including Gilda, Lucrezia Borgia, and Violetta; she is a true diva in more frivolous operetta roles (A Night in Venice); she embodies vocal lyricism (Rusalka); she successfully ventures in spinto roles, such as Tatiana in Eugene Onegin, and surpasses other singers as Halka, a more dramatic soprano role. Her voice easily cuts through the orchestra while maintaining suave lyrical quality in all masterfully commanded vocal registers.
maestro.net.pl
January 23 2017